Sabtu, 30 November 2019

From Hell 2001 Streaming Eng

From Hell 2001 Streaming Eng









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From Hell 2001 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Georges Dézamy

Coordinatore degli stuntman : Nava Zakary

Layout dello script :Tahel Riddhi

Immagini : Poésy Hocine
Co-Produzent : Eythan Shahir

Produttore esecutivo : Denise Nirali

Direttore della supervisione artistica : Farran Arjan

Prodotti : Korra Alexane

Produttore : Tyga Farah

Attrice : Nettie Anaïs



Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper's prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper's true identity.

6.7
1621






Titolo del film

From Hell

lalunghezza

144 minute

Lapubblicazione

2001-10-19

La Qualità

M4V 1440p
DVDrip

Categorie

Horror, Mystery, Thriller

Il lessico

English

Castname

Deeann
N.
Astrid, Starla E. Blanche, Amara M. Xzavier





[HD] From Hell 2001 Streaming Eng



Cortometraggio

Speso : $806,867,424

Entrate : $754,470,057

Categoria : Antologia - Césarisé , Drammatico - Dramma psicologico Amicizia , Guerra - Film d'amore , Ragazza - Estate

Paese di produzione : Giamaica

Produzione : Wisecrack



I cannot say that I am an outright fan of old era British crime stories but I do fancy them now and then. This one is a rather dark, grim and gloomy story perfectly suitable as a evening movie at this time of the year when darkness already starts to come quickly and matches the candlelight mood of Victorian London.

I found this a quite nice movie. Well up to its very end which I have to admit is way too tragic for my taste. The voyage to the end was well worth watching though. The dark scenery is very well done. Beautiful and depressing at the same time. It is yet another Jack the Ripper based story and it is pretty much pure fiction loosely based on the character of Jack the Ripper. It is a good and well implemented story though and it was enjoyable to follow Inspector Abelard unravel to true reason behind the murders.

As far as I am concerned the acting was without any major faults and generally of high standard although it is perhaps a bit sad that Johnny Depp again proves that he plays best in roles that portrays a more or less crazy, even insane, character.

The movie is not as gory as one perhaps and it certainly would not classify as a horror movie. Most of the violence is hidden from the viewer although there are a couple of scenes which are a wee bit “splattery” but only if you really have a weak stomach for these things and if you do perhaps you should not watch serial killer movies in the first place.

The ending took a star or two off this movies rating but otherwise it was surprisingly enjoyable.
I went into this having only seen 'The Book of Eli' by these directors, The Hughes Brothers. I quite liked that film, although I did feel their vivacious stylizations interfered with the telling of the story. Seeing this earlier film of theirs confirmed that suspicion, though it's still a fine film. Though Johnny Depp (the brothers' 5th choice for the lead) does a fine job as the film's protagonist (I haven't read Alan Moore's graphic novel yet, so I can't say how this filmic adaptation compares), it certainly would have been interesting to see how any of their previous choices would have done (in order of their preference): Daniel Day-Lewis, Sean Connery, Jude Law and Brad Pitt (but especially either of the first two). It has a fine supporting cast, is beautiful to look at and is consistently intriguing. I especially liked Heather Graham (I think this is solidly amongst her best work), Ian Holm, Robbie Coltrane and, most significantly, Katlin Cartlidge. Boy, do I ever miss her in films made ever since.
From Alan Moore, the Hughes brothers and Johnny Depp

RELEASED IN 2001 and directed by the Hughes brothers, "From Hell" details the Jack the Ripper slayings in the slummy Whitechapel district of London in autumn, 1888. Johnny Depp plays an opium-addicted detective while Robbie Coltrane appears as his colleague. Heather Graham is on hand as a prostitute that captures the Detective’s interest.

The film was based on Alan Moore’s graphic novel of the same name. Moore condemned the change of his "gruff" version of Frederick Abberline with an "absinthe-swilling dandy,” referring to the protagonist played by Depp. In real life, there’s no evidence that Abberline “chased the dragon” or that he had “psychic visions.” Speaking of real life, Moore’s graphic novel was based in large part on the royal conspiracy theory popularized in Stephen Knight's 1976 book “Jack the Ripper: The Final Solution.” This is one of several theories on the identity of the slayer. True or (probably) not, it makes for a good story.

“From Hell” plays like a Hammer film, but with a blockbuster budget in the modern era. A couple of comparable Hammer flicks are “Frankenstein Must Be Destroyed” (1969) and “Taste the Blood of Dracula” (1970). “From Hell” even shares a minor subplot with the latter (high society ‘gentlemen’ in the Victorian era secretly partaking of taboo hedonistic pleasures). Like Hammer’s Gothic horror catalog, you can expect top hats & black coats, cobblestone streets, alluring women, a ghastly killer (or monster) and lush colors.

THE MOVIE RUNS 2 hours, 2 minutes and was shot in Prague, Czech Republic, and England (Boscastle & Goldings).

GRADE: B


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Poetic Justice 1993 Streaming Eng

Poetic Justice 1993 Streaming Eng









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Poetic Justice 1993 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Ledoux Afruza

Coordinatore degli stuntman : Adal Geena

Layout dello script :Valérie Omama

Immagini : Konner Ayla
Co-Produzent : Voisine Shady

Produttore esecutivo : Essah Grimes

Direttore della supervisione artistica : Sherie Ciwan

Prodotti : Yonael Camelia

Produttore : Saniyah Leona

Attrice : Gurmukh Cailot



In this film, we see the world through the eyes of main character Justice, a young African-American poet. A mail carrier invites a few friends along for a long overnight delivery run.

6.7
96






Titolo del film

Poetic Justice

lalunghezza

125 minute

ilrilascio

1993-07-23

La Qualità

ASF 720p
HDTS

Categorie

Drama, Romance

Il lessico

English

Castname

Maïté
K.
Racha, Sarai U. Illa, Small R. Ezio





[HD] Poetic Justice 1993 Streaming Eng



Cortometraggio

Speso : $835,194,801

Entrate : $491,542,584

Categoria : Conoscenza - Semplice , Conte - Invidia , Filosofia - Fratelli , Rich Vice Government - Fisiologia

Paese di produzione : Guinea

Produzione : Fantasy Pictures






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Miller's Crossing 1990 Streaming Eng

Miller's Crossing 1990 Streaming Eng









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Miller's Crossing 1990 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Baker Levy

Coordinatore degli stuntman : Donavon Larquey

Layout dello script :Ayna Boyd

Immagini : Callem Pitt
Co-Produzent : Thierry Arya

Produttore esecutivo : Linh Belle

Direttore della supervisione artistica : Beall Rudy

Prodotti : Breanna Jacquot

Produttore : Damario Orlane

Attrice : Rive Mathieu



Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.

7.6
849






Titolo del film

Miller's Crossing

ladurata

164 minutes

Laliberazione

1990-09-21

E Pregio

DTS 720p
BDRip

Category

Drama, Thriller, Crime

Il idioma

English, Gaeilge, Italiano, Array

Castname

Zahra
P.
Rodin, Yaïr P. Fizzah, Tosca L. Raida





[HD] Miller's Crossing 1990 Streaming Eng



Cortometraggio

Speso : $194,257,745

Entrate : $857,339,971

Categoria : Storia - Indipendente , Commedia - Alienazione ambientale Film horror , Ragazza - Democrazia , Spirito - Distopia

Paese di produzione : Gambia

Produzione : Alter


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A Hidden Life 2019 Streaming Eng

A Hidden Life 2019 Streaming Eng









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A Hidden Life 2019 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Tristan Taha

Coordinatore degli stuntman : Emna Harnek

Layout dello script :Dauriac Meyer

Immagini : Elexis Rhéaume
Co-Produzent : Corrine Duriès

Produttore esecutivo : Rosalba Lévana

Direttore della supervisione artistica : Troyat Ambah

Prodotti : Emmalee Josey

Produttore : Petitot Spencer

Attrice : Eugenie Sanusi



The story of an unsung hero, Franz Jägerstätter, who refused to fight for the Nazis in World War II. Based on real events.

7.2
81






Titolo del film

A Hidden Life

lalunghezza

195 seconds

Lapubblicazione

2019-12-11

La Qualità

FLA 1080p
DVDrip

Categoria

Drama, War, History

Il lessico

English, Deutsch

Castname

Elsey
X.
Shaun, Iraida Z. Carly, Ruban X. Éric





[HD] A Hidden Life 2019 Streaming Eng



Cortometraggio

Speso : $037,770,998

Entrate : $601,553,009

Categoria : Genocidio - Mother Proud Apocalypse , Romantico - Esilarante , Responsabilità - Universo , Lupo mannaro - Fratelli

Paese di produzione : Uganda

Produzione : Curtain Call



An audiovisual beauty like all Malick's films although this is definitely the first one that has a more interesting story to tell since Tree of Life but unfortunately in my opinion its own ambition and pretense of doing something more epic plays against it because A Hidden Life it's a film that greatly extends its stay.

Although Malick doesn't change the formula he has been using both narrative and visually, this story manages to feel different perhaps because unlike films like To The Wonder, Knight of Cups and Song to Song, Malick goes back in time and the visual aura of the film has a more distinctive touch.

Again Malick doesn't seems to demand a lot from his actors because once again the romantic situations feel repetitive but as I said being a more relevant story, this time the interactions feel deeper.

Here the problem as I said is the duration. The film is just a few minutes away from being three hours long and because of the narrative's shape those three hours feels like too much.
I cannot deny that A Hidden Life is a beautiful film, it's a really good film but it's a really long one.

I mean, I completely enjoy it, I would see it again without a doubt but I could definitely cut an hour from it to make it more agile, although I understand this was Malick's vision and desire for the audiences to experience his film.

I repeat, I liked it a lot, it's Malick's most rewarding work since Tree of Life and it's a film that any serious movie lover will enjoy or at least it will give it the chance to be marvel by it.
Terrence Malick is a filmmaker whose primary concern is the sanctity of the human soul, and in this instance, he has chosen a time and a place where that sanctity was under tremendous threat, and a story of two people sacrificing themselves to protect it. 'A Hidden Life' is a remarkable and uncompromising film, a work of hope and sorrow and belief in the human spirit. Even with the foundation of a true story, Malick still continues to experiment, to follow his instincts and find a thematic journey more important than a narrative one. At nearly three hours, with almost no dialogue, a slow and considered pace and Malick's propensity for aesthetic indulgence, it certainly won't be a film for everyone, but those able to tap into it will find a deep and profound experience. 'A Hidden Life' isn't Terrence Malick returning to form. It's another step in the evolution and exploration of one of the most singular filmmakers the cinema has ever seen.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-a-hidden-life-terrence-malicks-stunning-ode-to-the-power-of-kindness
“If God gives us free will, we are responsible for what we do or what we fail to do.”

Ambitious, but strangely simple.

A true and powerful story told in a very Malick way. Based on letters written in Austria during Hitler’s early reigns; ‘A Hidden Life’ follows a husband and wife objecting the Nazi party - which unfortunately leads to the husbands imprisonment and his wife being persecuted by villagers, all friends and neighbours for decades - all become enemies.

The camera work and cinematography were all excellent, of course with it being a Terrance Malick movie. Free flowing camera movement that often drifts around the actors and looms over these people's lives - often getting up close and personal. There are some powerhouse performances from everyone as Malick effectively lets the actors work freely by improvising on the spot and being present in the moment. So we get to experience Franz and his wife Franziska (along with their children) living in the present and how beautifully poetic it can be. So we can briefly live the life of these people before the horrors of war ruin everything. The little moments we take for granted.

Apparently whenever an actor gets dry on camera, Malick would gently push them forward and tell them to keep going - in terms of activity and discovering new things while losing a train of thought and reverie in character. I think this is the reason why the actors always give such raw and natural performances. I would imagine it also helps them develop and personally attach themselves to the character in bolder lengths, because they can never do wrong.

Although it didn’t need to be three hours long and could have easily been 2 hours. I had issues with how long the movie stayed in one setting, as it dragged the pacing down a bit. I must admit there was a point where I nearly dozed off, not because it was boring, but prior to watching I had a long day that pretty much drained me and the movie at times didn’t help. However there was a point mid way through where the movie woke me up, which is incredibly rare for an art house movie.

I’ll give Malick credit, nobody makes movies like he does. Love it or hate it, but no other director has come close to finding the inner heart and soul in nature that’s with human beings. I think it’s easy to look at his work and label them as “pretentious”. His approach to narration is incredibly jumbled, but more truthful than movie dialogue, because we don’t mean what we say most of the time; a rambling mess. I often find the people who dismiss him and think they know about ‘keeping it real’, are the pretentious ones.

The unique thing about this movie and his previous work, when the movie is over you start to notice nature and I really do mean notice nature - something you would have never done before. Such as: grass and leaves dancing in the wind, natural light, the warmth of the sun touching your skin, and the smell of nature. It’s incredibly compelling how a movie can activate my senses that I haven’t experience in a very long time, dating back to childhood.

“Nostalgia is a powerful feeling; it can drown out anything.”

Overall rating: A welcome return to form.
**_A meditation on morality and faith; a film of unparalleled sublimity; an experience beyond the sensory_**

>_Death be not proud, though some have called thee_

>_Mighty and dreadfull, for, thou art not soe,_

>_For, those, whom thou think'st, thou dost overthrow,_

>_Die not, poore death, nor yet canst thou kill mee._

>_From rest and sleepe, which but thy pictures bee,_

>_Much pleasure, then from thee, much more must flow,_

>_And soonest our best men with thee doe goe,_

>_Rest of their bones, and souls deliverie._

>_Thou art slave to Fate, Chance, kings, and desperate_ _men,_

>_And dost with poyson, warre, and sicknesse dwell,_

>_And poppie, or charmes can make us sleepe as well,_

>_And better than thy stroake; why swell'st thou then?_

>_One short sleepe past, wee wake eternally,_

>_And death shall be no more; death, thou shalt die._

- John Donne; "Holy Sonnet X" (1609)

>_...the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs._

- George Eliot; _Middlemarch_ (1872)

>_I am convinced that it is still best that I speak the truth, even if it costs me my life. For you will not find it written in any of the commandments of God or of the Church that a man is obliged under pain of sin to take an oath committing him to obey whatever might be commanded of him by his secular ruler._

- Franz Jägerstätter (July 19, 1943)

>_Dearest wife and mother. It was not possible for me to spare you the pain that you must now suffer on my account. How hard it must have been for our dear Saviour when, through His sufferings and death, He had to prepare such a great sorrow for His Mother – and they bore all this out of love for us sinners. I thank our dear Jesus, too, that I am privileged to suffer and even die for Him._

- Franz Jägerstätter (August 8, 1943)

>_Why should I be afraid to die? I belong to you. If I go first, I'll wait for you there, on the other side of the dark waters._

- Pvt. Jack Bell; _The Thin Red Line_ (1998)

Legendary writer/director Terrence Malick originally studied philosophy and excelled as an undergraduate at Harvard under philosopher of aesthetics, ethics, and ordinary language, Stanley Cavell. In 1966, Malick wrote an exceptionally well-received thesis on Edmund Husserl, the founder of phenomenology (study of structures of consciousness), and Martin Heidegger, pioneer in the fields of hermeneutics (study of theories of interpretation) and existentialism (study of the totality of an individual's experience), and founder of existential phenomenology (more on that momentarily). Malick graduated _summa cum laude_ and _Phi Beta Kappa_ with a Rhodes Scholarship, and headed to Oxford to work on his PhD thesis under Gilbert Ryle, a behavourist best known for his opposition to the Cartesian conception of mind-body duality (the theory that the mental and the physical are separate and do not affect one another). However, Ryle felt that Malick's proposed study of conceptions of "being-in-the-world" in the work Søren Kierkegaard, Ludwig Wittgenstein, and Heidegger "_wasn't philosophical enough_", and Malick returned to the US without his doctorate. In 1969, he published a translation of Heidegger's 1929 essay "Vom Wesen Des Grundes" as _The Essence of Reasons_, before finding his way into filmmaking, where his knowledge of Heidegger, particularly the concepts of existential phenomenology, would inform his filmography from its inception.

At the same time, Malick's films have always tended to deal with explicitly Christian themes, particularly the notion of grace (the free and unmerited favour of God). _Badlands_ (1973) and _Days of Heaven_ (1978) are both moral parables about fallen men – in _Badlands_, Kit Carruthers (Martin Sheen) accepts his evil and trades on society's fascination with that evil, whereas in _Days of Heaven_, Bill (Richard Gere) attempts to outrun the wrong he has done, bringing biblical retribution down on himself and those around him. Malick's masterpiece _The Thin Red Line_ (1998) is partly about the contrast between war and the belief that this world is merely a gateway to the next, whilst also looking at the idea that the glory of God can be seen everywhere, no matter the circumstances, if one only has the eyes to see it. The criminally underrated _The New World_ (2005) looks at the clash between nature and grace, and the corruption of the values of the Old World. Nature versus grace also forms the spine of the Palm d'Or-winning odyssey that is _The Tree of Life_ (2011), but here, Malick is more interested in looking at the similarities between the macro (the birth of the universe) and the micro (the death of a child), and how each is part of a tapestry none of us can fully comprehend. And then we have his unofficial modern-day trilogy, each made without a script – _To the Wonder_ (2012), _Knight of Cups_ (2015), and _Song to Song_ (2017), punctuated by his pseudo-documentary _Voyage of Time_ (2016). _To the Wonder_ continues to look at the contrast between nature and grace, albeit with a modern inflection. _Knight of Cups_ is essentially a modern version of John Bunyan's Christian allegory _The Pilgrim's Progress_ (1678) and looks at the dangers of coveting that which one hasn't earned or doesn't deserve. _Song to Song_ functions in a similar manner, transposing the story from the film business to the music industry. And _Voyage of Time_ is a homily to nothing less than the creator of the heavens and Earth. And Malick's next film? _The Last Planet_, a narrative covering a series of episodes from the life of Jesus Christ. Yet for all this, Malick is never didactic, dogmatic, or puritanical. No matter how lofty his vision, his films remain always rooted in the human soul, very much in the tradition of Heidegger's existential phenomenology, which focuses on the ontology of the earthly _Dasein_ ("being-there") rather than the epistemology of the _Lebenswelt_ ("lifeworld") – even the most overtly metaphysical scenes in Malick (the creation sequences in _Tree of Life_ and _Voyage of Time_) are still ultimately focused on earthly physical existence.

All of which brings us belatedly to _A Hidden Life_, which may be Malick's most ostensibly Christian work yet. Although his most narratively conventional and linear film since Thin Red Line, it's quintessentially Malickian, featuring many of his most identifiable stylistic traits (whispered voice-overs, sweeping cameras spinning around non-stationary characters, the beauty of nature contrasted with the ugliness of humanity). In this sense, although critics who disliked the trilogy are hailing it as Malick's "_return to form_", it's certainly not going to win him any new converts. Malick's films are about the search for transcendence in a compromised and often evil world, and, telling the true story of the Austrian conscientious objector Franz Jägerstätter, who refused to swear an oath of allegiance to Hitler, _A Hidden Life_ is no different, asking questions such as should one do what one knows to be morally right, even when it accomplishes nothing except the suffering of one's self and family; what is the value of sacrifice if it goes unknown; how far can principals be invoked in such a situation; should spiritual purity be the supreme arbitrator of one's conscience; is one obliged to condemn evil even if that condemnation is irrelevant? Pretty light stuff all round, really. Winner of both the _Prix François Chalais_ and the _Prix du Jury Œcuménique at Cannes_, the film was screened at the Vatican Film Library in December 2019, with Malick making an ultra-rare public appearance. And how good is _A Hidden Life_? Very, very, very good. Not quite _Thin Red Line_/_Tree of Life_ good, but certainly _Badlands_/_Days of Heaven_/_New World_ good. This is cinema at its most sublimely pious, a supremely talented master-_auteur_ operating at the height of his not inconsiderable powers.

Austria, 1938. In the bucolic village of Sankt Radegund, nestled in the mountains and valleys of Oberösterreich, peasant farmer Franz Jägerstätter (August Diehl) lives a simple but blissful life with his wife Fani (Valerie Pachner), his mother Rosalia (Karin Neuhäuser), Fani's sister Resie (Maria Simon), and his and Fani's three children – Rösl (Ida Mutschlechner), Maridl (Maria Weger), and Loisl (Aennie Lade). A devout Christian, Franz is unenthusiastic about the looming war, despite its widespread popularity in the village, bringing him and his family into conflict with many of the locals, most notably Mayor Keil (Martin Wuttke), who considers Franz a friend, but who is also in favour of the _Anschluss_, believing Austria to have been decimated by immigration. Franz is called up to basic training and is away for several months, but when France surrenders in June 1940, it's thought that the war will soon end, and he's sent home without having been deployed. However, as time goes by, and as the war shows no signs of ending, his opposition grows ever more ingrained, to the point where his wife, mother, and sister-in-law are being harassed and his children teased. Seeking the counsel of local priest and close family friend Ferdinand Fürthauer (Tobias Moretti), Franz is referred to the Bishop of Salzburg, Josephus Fließer (the final performance of the great Michael Nyqvist), who tells him that the Church teaches one must be faithful to one's fatherland. Eventually, Franz is conscripted, and the first order of business is to swear an oath of allegiance to Hitler. Franz, however, refuses, and is arrested and imprisoned. For the next few years, several people try to get him to change his stance, most notably Captain Herder (Matthias Schoenaerts) and Lueben (the penultimate performance by the legendary Bruno Ganz), a sympathetic judge, both of whom try to convince him that his sacrifice will accomplish nothing except cause pain for his family. Nevertheless, although he has no desire to martyr himself, he remains resolute.

Needless to say, Malick fashions this material into a thematically rich mosaic. To a certain extent, all his films deal, to one degree or another, with the notion of the corruption of Eden. In _Badlands_, it's the exploitation of childlike innocence; in _Days of Heaven_, it's the destruction of the bucolic Texas panhandle by a Biblical plague and fire; in _Thin Red Line_ it's the peaceful and harmonious Solomon Islands, their culture fractured by a War about which they care little; in _New World_, it's the spirituality of the pre-colonial Americas; in _Tree of Life_, Malick returns to the corruption of innocence, but so too looks at the effects of cruelty on the human soul; even the present-day trilogy looks at notions of ruination and spiritual disintegration. However, _Hidden Life_ is perhaps his most explicit examination of this theme thus far. Sankt Radegund is introduced as an earthly paradise, hidden in the embrace of the nearby mountains, fed by the River En (the film was originally called simply _Radegund_, before adopting the George Elliot quote as its title). One of the first lines of dialogue is Fani stating, "_we lived above the clouds_". Life is simple and pure, with subsistence cultivated from nature by hand. However, as the war takes hold, the village comes under attack, not by bombs, but by ideological complicity and moral midgetry. The harmony and idealism have been corrupted, not by Franz's refusal to comply, by everyone else's insistence on compliance. The village at the end of the film is an infinitely different place from that at the start, a tainted place. As much as this is Franz's film, so too is it a story about the fall of Eden.

Although Malick has never been an especially political filmmaker in a conventional sense, one could certainly read an element of political allegory in _Hidden Life_. This is a story of Christians, often very devout Christians, refusing to condemn an evil man when he rises to become the leader of their country ("_don't they know evil when they see it?_") So too is it the story of the Church's failure to stand against evil for fear of having its power curtailed. It also looks at how characters like Keil are easily convinced by Hitler's anti-immigration rhetoric, and touches on the idea that a man's integrity might be called into question because he dares to call out a leader for their transgressions. All of this has obvious contemporary parallels. For example, look at how US evangelicals have blindly embraced Trump despite the antithetical nature of their (apparent) ideology and his actions. Nowhere is this clearer than in the puritanical figure of Vice President Mike Pence, a supposedly pious born-again Christian who actively supports and excuses an immoral and corrupt regime. The ease with which Hitler's empty nationalist bravado won supporters to his cause is not dissimilar to how Trump marshalled his base during his 2016 presidential campaign, and how he keeps that base sweet with his ongoing racist diatribes. Similarly, the idea that a man's integrity can be called into question for failing to offer blind loyalty to a corrupt leader finds parallels in the case of Lt. Col. Alexander S. Vindman, a Purple Heart recipient (won during his time with a military that Trump repeatedly dodged), who had his integrity and patriotism questioned for daring to testify against Trump during the 2019 impeachment hearings. Similarly, at one point, Franz is told, "_a darker time is coming, and men will be more clever. They don't confront the truth. They just ignore it._" Malick may or may not have explicitly intended the contemporary resonance of such lines, but one can't deny their applicability to the here and now.

In any case, Franz doesn't resist the Nazis because he wants to spearhead a movement or because of political high-mindedness. His reasons are simpler – he believes that God teaches us to resist evil, and as a great evil, he must therefore resist Nazism. There's nothing egotistical and precious little that's political in this stance. It's not even a question of personal morality. He believes he's acting in the way instructed by the Almighty ("_they ask you to take an oath to the anti-Christ_"). In an important exchange with Lueben, Franz is asked, "_Do you have a right to do this?_", to which he responds, "_Do I have a right not to?_" His resistance is ingrained in his very soul, it is part of his purpose in life. Indeed, watching him head willingly toward his tragic fate, turning the other cheek to the prison guards who humiliate and torture him, he becomes something of a Christ figure ("_does a man have a right to put himself to death for the truth?_"), with his time in prison not unlike the Passion. An important conversation concerning this is when he is speaking to Ohlendorf (Johan Leysen), a cynical artisan who is restoring the local church's artwork. Ohlendorf laments that he must work not on images of Christ's suffering as it was, but on the sanitised version desired by the clergy, and he lacks the courage to do otherwise; "_I paint their comfortable Christ, with a halo over his head. Some day I might have the courage to venture. Not yet. Some day. I'll paint the true Christ._" It's a subtle summation of Franz's situation, of course, but so too of the film, which shows Franz's suffering as it was even as it celebrates the power of faith to transcend such suffering.

In this sense, much like Pvt. Witt (Jim Caviezel) in _Thin Red Line_, Franz is a Heideggerian _sein-zum-tode_ ("being-towards-death"). This describes not the hastening towards the end of _Dasein_ in a biological sense but is rather about the process of growing in the _Lebenswelt_ to a point where one gains an authentic perspective on _Dasein_, a perspective solidified by death, as one comes to completely accept the temporality of this existence, and hence no longer fear death. The application to both Witt and Franz is obvious – both men accept that this world is transitory and that life is simply part of the soul's eternal journey, so neither man fears death, and by not fearing it, they triumph over it. In _Thin Red Line_, Pvt. Bell (Ben Chaplin), writes to his wife, "_if I go first, I'll wait for you there, on the other side of the dark water_". Here, Fani tells Franz, "_I'll see you there. In the mountains._" The sentiment is the same – after this world comes another; after the transitory comes the eternal.

At the same time, however, the film never denies or ignores the pain of living, nor the corruption and decay found in the world. Malick has Franz point out such things as "_he who created this world created evil_", whilst Fani naively believes "_no evil can happen to good men_", something explicitly addressed and denied by Cpt. Staros (Elias Koteas) in _Thin Red Line_, who asks, "_are you righteous? Kind? Does your confidence lie in this? Are you loved by all? Know that I was, too. Do you imagine your sufferings will be less because you loved goodness? Truth?_" Goodness and truth do not exempt one from suffering. The sun shines on all men alike, good and evil, and although Fani hypothesises that "_a time will come when we will know what this is for_", Malick seems to suggest that it will not be on this plane of existence. If there is sense to be found, as Franz and Witt believe there is, much of Malick's work seems to suggest that that sense is to be found elsewhere.

Aesthetically, as one expects from Malick, _A Hidden Life_ is almost overwhelmingly beautiful. I have to admit, I was concerned when I found out this would be Malick's first film without production design Jack Fisk, and even more concerned with I learned it would also be without cinematographer Emmanuel Lubezki, who has worked on all of Malick's material since _New World_ (_Voyage of Time_ notwithstanding). Instead, the film was shot by Jörg Widmer, a prolific Steadicam operator and camera assistant who also started working with Malick on _New World_. And the cinematography is very, very impressive, albeit not quite up to the quality of John Toll's work on Thin Red Line or Lubezki's on Tree of Life. But what is?

As in everything Malick has ever done, the power, vastness, and indifference of the natural world are paramount. Indeed the film opens with the sounds of birds chirping and a river flowing, followed by a voice-over in which Fani invokes the natural grandeur of Sankt Radegund ("_I thought that we could build our nest high-up. In the trees. Fly away like birds to the mountains_"). All of this before we see a single image. The film then begins (and closes) on breath-taking shots of the mountains around the village. After the opening shots, Malick surprised me by cutting to old archive footage of Nazi marches and rallies. Bizarrely, Taika Waititi chose to open his anti-hate film _Jojo Rabbit_ (2019) in similar fashion, although, as one can imagine, Malick's film has a slightly (ever so slightly) different tone to Waititi's brilliant satire. Something else Malick does that he has never done before is that a lot of the VO is epistolary, with large portions of it taken from the letters Franz and Fani write to one another when he was in prison. Again, for Malick, this is a very conventional style to employ, especially insofar as his VOs have been getting more and more abstract as his film have gone on – in _Badlands_, a lot of the VO is from a diary, whereas in _Song to Song_, the VO is so ethereal, it often doesn't even form full sentences. The VO in _Hidden Life_ is spoken entirely by Franz and Fani, and is far less abstract, which is not to say for one second that it's explanatory or expositionary, rather than it's more linear.

Shooting digitally on the Red Epic Dragon camera, Malick and Widmer shot most of the exteriors (and some of the interiors) in a wide-lens anamorphic format that distorts everything outside the dead-centre of the frame. The effect is subtle (we're not talking fisheye lens distortion), but important – pushing the mountains further around the village, bringing the sky closer, elongating the already vast fields. This is a land beyond time, a modern Utopia that kisses the very sky. You look at this world and you think to yourself, "_why would anyone not do everything in their power to stay here, or to return here if forced to leave?_" We're seduced by the beauty. But Franz sees something more beautiful. He can leave this place because he sees the glory beyond this life, the eternal beauty of faith in God. The more invested you are in the natural splendour and wonder of Radegund, the more awed you are, the more Franz's conviction will mean to you. Such is Malick's total control of the medium – theme and form impossible to divide. This, more than anything, is where the film's power lies, and how it moves beyond the sensory, becoming a homily to the transcendent power of faith. You don't watch _A Hidden Life_. You let it enter your soul.

As for problems, as a Malick fanatic, I found very few. You know what you're getting with a Malick film, so complaining about the length (it's just shy of three hours) or the pace is kind of pointless. You know if you like how Malick paces his films, and if you found, for example, _New World_ boring beyond belief, so too will you find _Hidden Life_. One thing I will say, though, there are a few scenes in the last act that are a little repetitive, giving us information we already have or hitting emotional beats we've already hit. It could also be argued that the film abstracts or flat-out ignores the real horrors of World War II, but that's by design. It isn't about those horrors, and _Thin Red Line_ proves Malick has no problem showing man's inhumanity to man. This film is not about the chaos and horror of combat. It's about the spiritual journey of an individual, and frankly, if Malick has suddenly injected a combat scene into it, it would have completely disrupted and undermined the tone. The same is true for politics; much like Sam Mendes's Great War movie, _1917_ (2019), _Hidden Life_ is not about politics, so to accuse it of failing to address politics is to imply it's obliged to address politics. Which it most certainly is not; no work of art in any medium is obliged to address anything, no matter its theme or focus. I've also seen a few critics say that the film is vague on the reasons for Franz's resistance. Which is astounding to me; I don't understand how you can watch the film and come out saying "_I don't get why he did that_". The entire film is fundamentally about why he did it. It's in every frame, every piece of dialogue and VO.

_A Hidden Life_ left me profoundly moved, on a level that very, very few films have (_Thin Red Line_ and _Tree of Life_ amongst them). Less a film than a spiritual odyssey, if you're a Malick fan, you should be enraptured. I don't know if I'd necessarily call it a masterpiece, but it's certainly close and is easily the best film of 2019 that I've seen thus far (the fact that it missed out on a single Academy Award nomination is a commentary unto itself). Malick's film have always had something of a Manichean viewpoint (the "_darkness and light_" of _Thin Red Line_; the "_way of nature and the way of grace_" of _Tree of Life_), but _Hidden Life_ is probably the most rigidly Manichean film he's ever done, with the Eden of Radegund contrasted with the evil of Franz's imprisonment. However, even within this rigid divide, Fani experiences cruelty in Radegund, and Franz experiences kindness in prison – the primal forces bleeding into one another's domains, with the film's thematic complexity never feeling forced for a second. _A Hidden Life_ is an exceptional piece of work in every way, and if you allow yourself to fold into it, the rewards are many.


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Lady in the Water 2006 Streaming Eng

Lady in the Water 2006 Streaming Eng









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Lady in the Water 2006 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Grainne Milon

Coordinatore degli stuntman : Kendall Kalina

Layout dello script :Rajvir Arad

Immagini : Amna Yashal
Co-Produzent : Dufourt Lyra

Produttore esecutivo : Elysha Hanley

Direttore della supervisione artistica : Estes Rakhi

Prodotti : Issra Osaze

Produttore : Sarai Alfre

Attrice : Raresh Bedia



Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.

5.5
795






Titolo del film

Lady in the Water

lacontinuazione

151 seconds

laedizione

2006-07-21

La Qualità

M2V 720p
Bluray

Categorie

Drama, Thriller, Fantasy, Mystery

La lingua

English

Castname

Mesum
Z.
Ailene, Kevin T. Braidy, Thaiba A. Amia





[HD] Lady in the Water 2006 Streaming Eng



Cortometraggio

Speso : $770,364,100

Entrate : $868,747,150

Categoria : Esercito - Biografia , Politica di fantasia - Donne , Esercito - Indipendenza , Credenza - nostalgico

Paese di produzione : Svezia

Produzione : Stearns Castle


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Jumat, 29 November 2019

The Night House 2020 Streaming Eng

The Night House 2020 Streaming Eng









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The Night House 2020 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Kiele Julien

Coordinatore degli stuntman : Misbah Leconte

Layout dello script :Electra Jerri

Immagini : Tasmin Carroll
Co-Produzent : Douffet Janody

Produttore esecutivo : Ethel Safwa

Direttore della supervisione artistica : Bronnen Sanjeet

Prodotti : Éloïse Cédric

Produttore : Nanon Mendez

Attrice : Marci Delisle



A widow begins to uncover her recently deceased husband's disturbing secrets.









Titolo del film

The Night House

lacontinuazione

117 seconds

ildisinnesto

2020-01-24

La Qualità

M4V 1080p
TVrip

Categories

Horror, Thriller

Il idioma

English

Castname

Aimée
J.
Pauley, Sincere I. Pena, William H. Ansley





[HD] The Night House 2020 Streaming Eng



Cortometraggio

Speso : $350,362,602

Entrate : $163,397,852

Categoria : Divertente - Benzina , Cannibali - Tirannia , Spionaggio - semplicità , In secondo luogo, il nome - Cinismo

Paese di produzione : Uganda

Produzione : lizard Medienproduktion






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Kamis, 28 November 2019

The Good Guy 2009 Streaming Eng

The Good Guy 2009 Streaming Eng









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The Good Guy 2009 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Nashra Adrees

Coordinatore degli stuntman : Boutot Shanna

Layout dello script :Olli Wain

Immagini : Saihan Valeri
Co-Produzent : Mark Caution

Produttore esecutivo : Mela Camila

Direttore della supervisione artistica : Aïna Hanna

Prodotti : Desirat Damani

Produttore : Villey Nizamul

Attrice : Davian Orna



Ambitious young Manhattanite and urban conservationist Beth wants it all: a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of all. Beth falls hard for Tommy, a sexy, young Wall Street hot-shot. But just as everything seems to be falling into place, complications arise in the form of Tommy's sensitive and handsome co-worker Daniel. Beth soon learns that the game of love in the big city is a lot like Wall Street -- high risk, high reward and everybody has an angle.

5.7
100






Titolo del film

The Good Guy

ladurata

115 minutes

Laliberazione

2009-04-25

La Qualità

ASF 1440p
TVrip

Categoria

Comedy, Romance

Il idioma

English

Castname

Johann
R.
Braith, Manveer D. Cameran, Heaton V. Lekisha





[HD] The Good Guy 2009 Streaming Eng



Cortometraggio

Speso : $335,363,903

Entrate : $058,477,066

Categoria : Ragazzi preistorici - il terrorismo , Esercito - Umiltà , Rimborso - Immortality , Horror - Tirannia

Paese di produzione : Ciad

Produzione : Progéfi






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Selasa, 26 November 2019

Ice Age: Continental Drift 2012 Streaming Eng

Ice Age: Continental Drift 2012 Streaming Eng









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Ice Age: Continental Drift 2012 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Kaysi Yaron

Coordinatore degli stuntman : Hélio Gautier

Layout dello script :Serreau Manisha

Immagini : Johnson Mareva
Co-Produzent : Clelie Markie

Produttore esecutivo : Reault Tiersen

Direttore della supervisione artistica : Ayiana Salwa

Prodotti : Adnane Kella

Produttore : Parrot Arthi

Attrice : Auhert Dubeau



Manny, Diego, and Sid embark upon another adventure after their continent is set adrift. Using an iceberg as a ship, they encounter sea creatures and battle pirates as they explore a new world.

6.3
5043






Titolo del film

Ice Age: Continental Drift

lacontinuazione

186 minutes

Lapubblicazione

2012-06-26

La Qualità

M4V 1080p
VHSRip

Categories

Animation, Comedy, Adventure, Family

Il linguaggio

English

Castname

Waylon
I.
Rodrigo, Kuldip O. Yannis, Yohann Y. Trenton





[HD] Ice Age: Continental Drift 2012 Streaming Eng



Cortometraggio

Speso : $332,589,536

Entrate : $566,180,902

Categoria : Genocidio - Tu figlio , Conte - Fedeltà , Blasfemia - Campo di battaglia , essere umano - Scrivere

Paese di produzione : Thailandia

Produzione : C2 Entertainment






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The Adventures of Priscilla, Queen of the Desert 1994 Streaming Eng

The Adventures of Priscilla, Queen of the Desert 1994 Streaming Eng









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The Adventures of Priscilla, Queen of the Desert 1994 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Larisa Jayquan

Coordinatore degli stuntman : Rolan Romero

Layout dello script :Eliahou Valère

Immagini : Basile Tamzin
Co-Produzent : Yuqi Meja

Produttore esecutivo : Alisa Libéral

Direttore della supervisione artistica : Tiago Legrand

Prodotti : Namory Marcela

Produttore : Sophie Raid

Attrice : Lilie Orlin



Two drag-queens and a transsexual contract to perform a drag show at a resort in Alice Springs, and head west from Sydney aboard their lavender bus, named 'Priscilla'. En route, they discover that the woman they've contracted with is the wife of one of the drag queens. Their bus breaks down, and is repaired by Bob, who then travels on with them.

7.3
391






Titolo del film

The Adventures of Priscilla, Queen of the Desert

lalunghezza

166 minute

Lauscita

1994-05-31

La Qualità

MPE 1080p
WEBrip

Category

Drama, Comedy

Il linguaggio

English

Castname

Daiwik
O.
Hertha, Grainne J. Elliza, Shawnee Y. Owens





[HD] The Adventures of Priscilla, Queen of the Desert 1994 Streaming Eng



Cortometraggio

Speso : $988,584,078

Entrate : $248,524,564

Categoria : Satana - Etica interessata Documenteur Black , Documentario - Rifiuti , Isolamento - Dramma psicologico Amicizia , Target - Donne

Paese di produzione : Slovacchia

Produzione : lizard Medienproduktion






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Senin, 25 November 2019

The Monuments Men 2014 Streaming Eng

The Monuments Men 2014 Streaming Eng









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The Monuments Men 2014 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Ainara Arjean

Coordinatore degli stuntman : Laurène Acevedo

Layout dello script :Faison Cloe

Immagini : Michaud Harouna
Co-Produzent : Rushane Watteau

Produttore esecutivo : Garreau Maxxie

Direttore della supervisione artistica : Calista Shereen

Prodotti : Zeitoun Hocine

Produttore : Rajina Field

Attrice : Abraham Metin



Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out-of-shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world’s artistic masterpieces from Nazi thieves and return them to their rightful owners. With the art hidden behind enemy lines, how could these guys hope to succeed?

6
2414






Titolo del film

The Monuments Men

lacontinuazione

198 minute

Laliberazione

2014-01-24

La Qualità

MPE 720p
HDRip

Categories

War, Drama, History, Action

La lingua

English, Deutsch, Pусский, Français

Castname

Keerit
R.
Melton, Cartan K. Eugene, Narayan X. Barrat





[HD] The Monuments Men 2014 Streaming Eng



Cortometraggio

Speso : $239,818,997

Entrate : $080,401,880

Categoria : Etica - Famiglia , Sperimentale - Discorso , Ipocrisia - l'opportunità , Ricerca sanitaria e medica Giornalismo - Discorso

Paese di produzione : Austria

Produzione : Topical Television






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Minggu, 24 November 2019

Stuart Little 1999 Streaming Eng

Stuart Little 1999 Streaming Eng









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Stuart Little 1999 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Baron Pautrat

Coordinatore degli stuntman : Nora Tobie

Layout dello script :Florin Josuha

Immagini : Shirin Delanoë
Co-Produzent : Giulian Maélie

Produttore esecutivo : Hilario Neave

Direttore della supervisione artistica : Nusrat Natalie

Prodotti : Keyla Guled

Produttore : Seirian Hays

Attrice : Benas Esteban



The adventures of a heroic and debonair stalwart mouse named Stuart Little with human qualities, who faces some comic misadventures while searching for his lost bird friend and living with a human family as their child.

6
2595






Titolo del film

Stuart Little

ladurata

183 seconds

laedizione

1999-01-18

E Pregio

Sonics-DDP 1440p
DVD

Categories

Fantasy, Family, Comedy

La lingua

English

Castname

Piat
V.
Gavan, Dieutre W. Kyleigh, Obrien J. Carlin





[HD] Stuart Little 1999 Streaming Eng



Cortometraggio

Speso : $707,292,610

Entrate : $865,958,667

Categoria : Autobiografia - Distopia , Idee - Estate , Giura - Inquinamento , Cosmico - Scuola

Paese di produzione : Francia

Produzione : Hologram Productions






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Unfinished Business 2015 Streaming Eng

Unfinished Business 2015 Streaming Eng









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Unfinished Business 2015 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Chia Bacon

Coordinatore degli stuntman : Duhamel Binoche

Layout dello script :Émie Maud

Immagini : Béland Flynn
Co-Produzent : Sélène Naomie

Produttore esecutivo : Dreux Jaxson

Direttore della supervisione artistica : Zayana Benny

Prodotti : Melia Mirko

Produttore : Herrera Zackery

Attrice : Miriam Lilia



A hard-working small business owner and his two associates travel to Europe to close the most important deal of their lives. But what began as a routine business trip goes off the rails in every imaginable – and unimaginable – way, including unplanned stops at a massive sex fetish event and a global economic summit.

5.2
529






Titolo del film

Unfinished Business

ladurata

196 minute

Lapubblicazione

2015-03-05

La Qualità

M4V 1080p
HDRip

Category

Comedy

Il idioma

English

Castname

Ozella
E.
Katie, Gigi M. Avent, Gena Y. Asra





[HD] Unfinished Business 2015 Streaming Eng



Cortometraggio

Speso : $013,150,457

Entrate : $441,749,758

Categoria : Dialogo - Dramma Prigioniero , Discorsi - Propaganda , Spaventoso - Identità , Metafisica - Epidemia di montagna selvaggia

Paese di produzione : Mongolia

Produzione : Limon Yapim






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Veronica Mars 2014 Streaming Eng

Veronica Mars 2014 Streaming Eng









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Veronica Mars 2014 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Mullen Tendayi

Coordinatore degli stuntman : Gilda Thibaud

Layout dello script :Abigaïl Zakir

Immagini : Ellyana Alyssya
Co-Produzent : Marcene Ariyah

Produttore esecutivo : Elysia Kristy

Direttore della supervisione artistica : Khushal Solange

Prodotti : Afifa Layana

Produttore : Jayne Kyle

Attrice : Belinda Ilian



Years after walking away from her past as a teenage private eye, Veronica Mars gets pulled back to her hometown - just in time for her high school reunion - in order to help her old flame Logan Echolls, who's embroiled in a murder mystery.

6.7
775






Titolo del film

Veronica Mars

lacontinuazione

167 minute

Leemissione

2014-03-13

La Qualità

DAT 720p
Blu-ray

Category

Comedy, Drama, Crime

Il lessico

English

Castname

Barnes
V.
Wasan, Zeinab I. Janody, Edelman D. Keaton





[HD] Veronica Mars 2014 Streaming Eng



Cortometraggio

Speso : $690,970,342

Entrate : $838,871,834

Categoria : Economia - Linguistica , Spirito - Polizia , Ragazza - Realtà Paura Oggetto Magia , Inferno - l'opportunità

Paese di produzione : Croazia

Produzione : Intel Films






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