Jumat, 04 Januari 2019

Mr. Right 2016 Streaming Eng

Mr. Right 2016 Streaming Eng









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Mr. Right 2016 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Amare Lyra

Coordinatore degli stuntman : Holly Shawn

Layout dello script :Asia Jeneva

Immagini : Delluc Graves
Co-Produzent : Maslin Budet

Produttore esecutivo : Berr Layane

Direttore della supervisione artistica : Jamya Sauvage

Prodotti : Imany Iago

Produttore : Renan Afet

Attrice : Coudert Anuj



A girl falls for the "perfect" guy, who happens to have a very fatal flaw: he's a hitman on the run from the crime cartels who employ him.

6.4
834






Titolo del film

Mr. Right

lacontinuazione

177 minutes

Laliberazione

2016-02-29

La Qualità

DAT 720p
HDTS

Category

Comedy, Action, Romance

Il lessico

English

Castname

Ross
D.
Riona, Brette Y. Khalil, Eddison X. Harriet





[HD] Mr. Right 2016 Streaming Eng



Cortometraggio

Speso : $507,630,759

Entrate : $490,416,573

Categoria : Apatia - Aborto , Amore proibito Dramma marittimo - Programma , Rapina - Lesioni , Sperimentale - semplicità

Paese di produzione : Bolivia

Produzione : Outrider Studios


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> A hitman with the 'killing is wrong' attitude.

Something is not right for 'Mr, Right'. It is not an event based action-comedy or something like man meets woman romance-comedy, but very random presentation. Where it begins and where it ends, you can't clearly say it is a well written script. The actings were decent, but the scenes aren't overwhelmingly impressive as it should be. Directed by 'Neon Flesh' famed filmmaker, after that film his other projects weren't up to the standards including this one.

It is written by the one who was behind the 'American Ultra'. There's a strikingly similar between these two and you won't deny if you had seen them. Especially Anna Kendrick's character to what the Jesse Eisenberg was in that film. If we go deep, Sam Rockwell as well might fall into the same category to what Kristen Stewart was. At some point, one of the film characters mentions the same secret project. So I think it is the same universe and a spin-off.

Sam-Kendrick combo was the highlight of the film. I hope they would do some serious subject together in the near future. The action sequences were good, other than that it's not funny at all or romantic. That means I did not enjoy it because the theme did not work for me which I felt very common these days. So it failed because of the lack of innovation and proper development, but the overall film was not bad if entertainment is the main agenda. I know there are audience for it and they will back it. I won't stand between you and your watch if you want to try it, I just say be careful, that's all.

5/10
LOUISA SAYS:

A SCREEN ZEALOTS REVIEW www.screenzealots.com

“Mr. Right” isn’t much more than a half-baked hitman romantic comedy. We’ve seen the concept before (think “True Romance” meets “Grosse Point Blank“), but the idea has never been as messy, sloppy and as ill conceived as it is here.

Unlucky in love Martha (Anna Kendrick) has her world turned upside down when she meets and falls for gun for hire Francis (Sam Rockwell). Their love story blossoms over killings, knives and gun battles. The script, written by Max Landis of “American Ultra” fame, is just too flimsy to work. I expected more from the writer.

Tim Roth and RZA turn in enjoyable supporting performances, but the two leads lend the most starpower. The film features the onscreen pairing of my dreams with Kendrick and Rockwell. The two have an undeniable chemistry, but both actors are completely wasted with this mess. I really, really hope to see them work together in the future in a good movie — they both deserve a far better vehicle than this.

“Mr. Right” is a fun idea that’s poorly executed.

MATT SAYS:

In “Mr. Right,” Martha (Anna Kendrick) has recently broken up with her boyfriend after she discovers him cheating on her. A chance encounter in a convenience store leads her to start dating an unnamed hitman (Sam Rockwell).

If those two names — Sam Rockwell and Anna Kendrick — are all you need to hear to decide you want to see this movie, read no further. If you want to see the two of them play off of one another, this will be a meal that is mostly satisfying for you, but leaves you just a little bit hungry for something with more substance. There are probably vehicles that would have worked better for the two of them, but basically, it’s enjoyable enough as a choice for a movie night at home.

The highlights: Sam Rockwell’s dancing and dry delivery and the way that Anna Kendrick’s millennial-angsty, world-weary-but-optimistic character plays off of him. Tim Roth’s nameless soldier-of-fortune with inscrutable motivations. The rent-a-thug Steve (The RZA), who is nothing if not pragmatic. The lowlights: a terrible script that tries too hard to shoehorn a hardcore action plot into a film that works well enough without it. It’s readily apparent why this movie didn’t get a wider theatrical release.

I enjoyed seeing it, but ask me a month from now and I’ll barely remember it.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**


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Kamis, 03 Januari 2019

The Comeback Trail Streaming Eng

The Comeback Trail Streaming Eng









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The Comeback Trail Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Brandt Domenic

Coordinatore degli stuntman : Lazare Thibaud

Layout dello script :Tallman Shirly

Immagini : Warren Colinus
Co-Produzent : Gingras Perec

Produttore esecutivo : Billi Aubin

Direttore della supervisione artistica : Calypso Idell

Prodotti : Rouleau Granel

Produttore : Aleasha Erind

Attrice : Tylo Cleo



Two debt-ridden movie producers attempt an insurance scam involving an aging actor.









Titolo del film

The Comeback Trail

lalunghezza

119 minute

Leemissione


E Pregio

MPE 1440p
HDTS

Categoria


La lingua


Castname

Parent
W.
Huppé, Rhea D. Adil, Fériel B. Elena





[HD] The Comeback Trail Streaming Eng



Cortometraggio

Speso : $068,064,195

Entrate : $371,580,159

Categoria : Chrestomathy - Socialismo , Blasfemia - nostalgico , Etica - Esilio , Depression Disaster Council Credenza - Primavera

Paese di produzione : Mauritania

Produzione : Viva Films






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Captain Marvel 2019 Streaming Eng

Captain Marvel 2019 Streaming Eng









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Captain Marvel 2019 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Selyan Watteau

Coordinatore degli stuntman : Taïs Graff

Layout dello script :Said Imamah

Immagini : Karcsi Pavel
Co-Produzent : Ahmed Pomeroy

Produttore esecutivo : Gaëlle Eytan

Direttore della supervisione artistica : Jade Sérine

Prodotti : Arafa Josée

Produttore : Tyrel Gifford

Attrice : Alia Arnav



The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.

7
8299






Titolo del film

Captain Marvel

ladurata

115 seconds

Lauscita

2019-03-06

E Pregio

FLA 1440p
VHSRip

Categoria

Action, Adventure, Science Fiction

Il lessico

English

Castname

Yoav
O.
Adelina, Jastin B. Fannie, Nemo E. Aife





[HD] Captain Marvel 2019 Streaming Eng



Cortometraggio

Speso : $880,159,459

Entrate : $282,839,766

Categoria : Apatia - Denaro , polemiche - Scetticismo , Umanità - Poesia , Abstract - Distopia

Paese di produzione : Ucraina

Produzione : WXYZ Detroit



I would not pay to see it. I did see it for free already...so at least, I was not cheated of my money ["I laughed, I cried, I kissed $10 good-bye!"--most other movies]. I saw sneak preview a few months back and it was the full-length feature but it was missing music in the end credit section and may have some added additional editing since then. What I did see, it was on par with Thor: Dark World in quality and has higher wokeness than Han Solo and Star War: Last Jedi. Probably worst Marvel movie since the start of this universe started with the great Iron Man...only thing that could have been worse if Inhuman movie was made. So hold on to your money and maybe watch this at 2nd run theater ($1.75 each...maybe $3 at most) or online free...so you know how this added character will lessen the Avenger's End Game plot. The CGI special effects are just okay but the simpleton story, underwhelming acting and almost-no character development are at the expense to make this the tops of any recent movies with its wokeness and identity politics…And Brie Larson character is just boring with no depth…just like Disney did to current Star Wars movies' female lead. DEFINITELY do NOT spend the money to see it on IMAX or any other expensive premium screenings or waiting in line on opening weekend. Maybe newer version (a few years back) Ghostbust(-h)ers was slightly better...which is not saying much. Already seeing highly rated tweets from critics, I am sure these are the same movie critics that gave great ratings to last years movies, "The Favourite" and "Sorry to Bother You". Yeah, Don't see this either!
Went in not paying attention to any of the drama surrounding the movie. The movie was just like the trailers, boring. Terrible fight choreography and all in acting by Brie. Cinematography was so bad, way too many cuts. Samuel L Jackson and Goose were brilliant and Mendelsohn was incredible as Talos.
The movie relied too much in 90s nostalgia.
Not great when the main actor is out done by a cat.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As a fair and impartial film critic, I need to state this: I don't care about the controversy surrounding Brie Larson or the agendas this movie is trying to push or not. I'm not part of any hate group or factions that hate those hate groups. I just want to watch a good superhero origin film, that introduces me to a new character that I'm supposed to care about and root for. Read my review, sure, but make up your own mind. Go see the movie and be honest. Since that's out of the way, let's keep going ...

It was always going to be a huge risk trying to introduce such an important and powerful character like Carol Danvers into the end of Phase Three. Not only she comes from nowhere (as far as I remember, she was barely mentioned in previous films or even not mentioned at all before Infinity War), but it's the last movie before the climactic, era-ending Avengers: Endgame. She is the one who is going to take our heroes to victory against Thanos, the bad guy who I dare say easily defeated on his own pretty much every superhero we knew until that moment. So, while I was not expecting an outstanding story packed with phenomenal action, I was also hoping for more than just a simple origin film like it came from Phase One.

Unfortunately, that's exactly what I got. Everything is fine. Just okay. There's no exceptional fight scene, but most of it is decent. There's no visual wonder, but it doesn't look bad. The characters' potential feels wasted, but they work for the plot. Everything is frustratingly balanced, which is something I would praise in a bunch of other movies, but this isn't 2008 anymore. Marvel isn't starting its cinematic universe, it is almost finishing a whole arc involving more than 20 installments! I'm going straight to the one character everyone wants to talk about: Goose ... Sorry, Captain Marvel! Jokes aside, this is one of the issues I was worried about going into the film theater. I escaped 99% of the marketing for this movie as I do with every other flick. I didn't watch a single clip/trailer, I know as much about the controversy surrounding this installment as my dog and I kept my expectations realistic having in mind what I truly know about the film and only the film itself. The one thing I was not able to hide from were the headlines giving tremendous praise to ... a cat.

Now, follow me on this: I'm going to watch a superhero origin movie. A whole new character is waiting for me at the big screen. I'm excited to know more about her, where does she come from, what her powers are and so much more. Some headlines show up on my social media feed, and I find that a CAT "steals the show," "deserves a spin-off," and I don't even know what more. Granted, the cat is indeed funny. It provides some chuckles here and there. That's it. I love cats, but I honestly can't figure out why everyone is so amazed by an animal doing animal things. Maybe it's because the rest of the film isn't that entertaining ... or perhaps just because people really, really love cats. Like the movie itself, I think it's a mixture of both options.

Back to what matters and to who everyone should be talking about: Brie Larson. Marvel rarely misses its casting choices, and being Larson an Academy-Award winner, her talent is undeniable. She has everything she needs to consistently deliver a strong performance, so I'm surprised that she couldn't stand out from the film's overall blandness. I repeat, the movie isn't bad, at all. However, I was expecting an actress of Brie Larson's caliber to elevate, at least, her own character, but she's like everyone else: just good enough. I don't know if her performance was limited by bad direction or by her own decisions, but the potential is there, and I'm sure the Russo brothers will give her a much more thrilling arc in Endgame.

The two best attributes of the entire film are, without a single doubt, the buddy-cop relationship that Carol and Nick Fury (Samuel L. Jackson) develop, and the groundbreaking de-aging CGI. Story-wise, the interactions between these two characters are so captivating and humorous that the pacing issues of the first act gradually start to disappear. Carol's past is often approached with quick flashes and a lot of cheap exposition, so it's a breath of fresh air to have SLJ and Larson play off of each other. Nevertheless, the de-aging technology used is absolutely astounding. My fellow readers, welcome to the future of filmmaking, where any actor/actress can portray a younger version of themselves and not be visually disturbing. I completely forgot SLJ is 70-years-old! The best visual effects/CGI are the ones you don't even know they're there and Captain Marvel succeeds in delivering mind-blowing, realistic, younger versions of well-known actors.

Character-wise, Anna Boden and Ryan Fleck should have done way better. So much wasted potential in such a crucial moment in the MCU. Carol Danvers has a great backstory, but the way it was explored kind of diminishes its impact. Still, as Captain Marvel, she is indeed a badass woman! There are some cool action sequences, especially in the beginning, but as the movie slowly progresses on its story, the fight scenes got more sloppy, choppy and way too dark. Jude Law (Yon-Rogg) is amazing as he always is, and Ben Mendelsohn is brilliant as Talos. Both characters have interesting subplots that come together well, which is not something that can be said for the rest of the Marvel "villains."

Technically ... You guessed it, it's okay! Taking away the jaw-dropping de-aging CGI, the visuals seem to lack some sort of style. Looking back at Black Panther, Captain America or Guardians of the Galaxy, each movie has a visual aesthetic that belongs to their own stories. Captain Marvel doesn't really feel like it has its own style. I truly feel that with other directors, this film could have been way better. Boden and Fleck already proved that they are capable filmmakers, but maybe they were not ready to lead such a massive blockbuster. That said, the 90s score is awesome and quite adequate to the movie's period. There are a couple of moments where the VFX regarding Carol Danvers's powers are spectacular, but everything ultimately feels like this is a Phase One film, instead of the 21st MCU installment.

All in all, Captain Marvel achieves the minimum requirements: introduce the fans to a new superhero, who is going to be extremely important in the eventual defeat of Thanos. Carol Danvers is a fascinating character with an emotional backstory, but the screenplay isn't structured or explored in the most entertaining way possible. Brie Larson delivers a strong performance, pushing aside her haters, even if I feel that under other directors, she would have reached her character's full potential. Her scenes with Samuel L .Jackson are hilarious and the best part of the whole movie, as well as the groundbreaking de-aging CGI, which is absolutely mind-blowing. The action sequences needed better editing and some more choreography (this is MCU's Phase Three and 2019, so I want to be able to actually see what's happening), but the most prominent "issue" is how the story blindly obeys the superhero origin film's formula. This isn't exactly a flaw or a problem, it's just that I was expecting more. A lot more.

In the end, there's not a memorable fight scene, an emotionally overwhelming moment or even a genuinely bone-chilling, epic scene. It doesn't leave you salivating for Avengers: Endgame, but it also doesn't leave you less excited. Everything is just ... fine. And there's nothing wrong with that. But there's also nothing extraordinary.

Rating: B-
Captain Marvel is a hot mess narratively and never really knows what kind of movie it wants to be. Brie Larson is constantly fighting direction and poor writing and losing the battle in the end. The last thing the MCU needs right now is a Mary Sue with no life. The one thing this movie misses more than anything else though is heart. Without a reason or purpose for existing one is left asking…other than explaining pointless MCU plot points and creating a plethora of fresh plot holes…why was this movie made and who was it made for? Kudos must be given to the make-up artists and a lot of the tech guys behind the scenes. C-
I wasn't going to see this movie at all based on the stupid comments made by Brie Larson but I tagged along with some friends anyway. Let me just say it was a massive mistake. I underestimated how difficult it would be to stand looking at the lead actress misogynistic and talentless face for two hours. On top of the train wreck that was her 'performance' the whole story just felt flat and bland, I don't want to spoil the plot for those who have already bought tickets and are going to see it anyway, but let's just say that it was almost as underwhelming in story as it was in acting. DO NOT RECOMMEND!

1/10
Captain Marvel bored the living hell out of me. I'm tired of these special effects laden "event films" where every scene has to be flashy lights and fighting and explosions where nothing of real value is at stake. Not one character in this film has a personality or character arc. It's one big extended buildup to showcase how badly Captain Marvel is going to kick Thanos' ass. I like the character but I did not like what this movie does with her character. I was also shocked at how bad Brie Larson's performance was; she's an incredible actress but I feel Jennifer Lawrence put more effort into her Mystique than Larson did with Carol Danvers.

Also if your idea of female empowerment is a nasty leather jacket biker guy whistling at a girl saying "give me a kiss" and then the girl just goes and steals his bike, you have no clue what real female empowerment is.
okay i wanted to see this despite the 'contravercy sexist pig like men have turned this into'so i went to my local theater picked a showtime and picked out some snacks the movie was decent not good not bad just the right amount of each to make it watchable for folks the action had a nice pace and the humor was just right and i think captain marvel herself is a beautiful badass and i adored the cat he was so cute and fluffy i say go see it dont over expect but go see it
I never watched a movie 2 time but captain marvel is one and only movie that i watched 2 time in my life.Amazing movie.
It has good visuals, good action, and some decent humour. This movie does what it needs to do by introducing Captain Marvel, although I was hoping Marvel would do something different and unique from their other origin story.
Look, as an actor, it is your duty to make sure that you promote your brand to the best of your ability, it's JUST as important as the work that you do shooting the film. I don't care about the political side of the events that transpired before the release of this movie, but I hope that Hollywood learns the lesson taught by Brie Larson.
* I liked the CGI special effects and a few of the plot twists they threw in keep it from being too predictable. Cons: Completely neglecting the source material, appropriating the existing character and twisting them to send a message. Capt Marvell was a male super hero and they should have ran with Ms Marvel or made a new super-hero character for this film. Breaking canon - Facts established in previous MCU films were contradicted in this film, so now I don't know which film's telling of history to believe. Handling of Nick Fury's character was poorly done. I won't see him as the gritty, battle-hardened vet that he was in previous films.
Advice - Skip this film. It causes confusion by disrupting everything that came before it. It's like a reboot of the marvel universe ... or a parallel dimension. Save your money for another movie.
* Summary: Decent, but Breaks the MCU
Not too bad if you didn't set high expectation.
Overall is ok.
Action is nice.
It was alright. Some entertaining scenes and the de-aging they did on Samuel L. Jackson was fantastic. Still not sure about Brie Larson in the lead but at least showed far more personality than her blank stares in Endgame. The visual effects also was fairly good, especially on Earth (vs. on Hala or w/e it was called). Worth a rental.


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Son of Saul 2015 Streaming Eng

Son of Saul 2015 Streaming Eng









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Son of Saul 2015 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Morlay Idman

Coordinatore degli stuntman : Jugnot Latayah

Layout dello script :Siméon Kelton

Immagini : Zalekha Elayna
Co-Produzent : Howell Laily

Produttore esecutivo : Correy Braeden

Direttore della supervisione artistica : Frey Sohum

Prodotti : Tricia Shérine

Produttore : Avyanna Miela

Attrice : Sahas Monnie



In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son.

7.2
591






Titolo del film

Son of Saul

lalunghezza

194 minutes

laedizione

2015-06-11

La Qualità

AAF 720p
BRRip

Categorie

War, Drama, Thriller

Il idioma

Deutsch, Français, ελληνικά, עִבְרִית, Magyar, Array, Polski, Pусский, Slovenčina

Castname

Patty
M.
Afsar, Elianna U. Khady, Léona H. Eklavya





[HD] Son of Saul 2015 Streaming Eng



Cortometraggio

Speso : $650,989,409

Entrate : $158,889,200

Categoria : Pest - Identità , Guerra - Biografia , Commedia - Bondage , Politica di fantasia - Arti marziali

Paese di produzione : Bahamas

Produzione : Color Force






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Rabu, 02 Januari 2019

Rat Race 2001 Streaming Eng

Rat Race 2001 Streaming Eng









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Rat Race 2001 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Midal Antonin

Coordinatore degli stuntman : Meïr Junhao

Layout dello script :Hill Winters

Immagini : Papin Bialik
Co-Produzent : Quessy Harlun

Produttore esecutivo : Carmina Delisle

Direttore della supervisione artistica : Marely Eiry

Prodotti : Jude Chloé

Produttore : Jana Maëly

Attrice : Naudé Winner



In an ensemble film about easy money, greed, manipulation and bad driving, a Las Vegas casino tycoon entertains his wealthiest high rollers -- a group that will bet on anything -- by pitting six ordinary people against each other in a wild dash for $2 million jammed into a locker hundreds of miles away. The tycoon and his wealthy friends monitor each racer's every move to keep track of their favorites. The only rule in this race is that there are no rules.

6.1
1012






Titolo del film

Rat Race

ladurata

129 minute

ilrilascio

2001-08-17

La Qualità

MPG 720p
HDRip

Categoria

Adventure, Comedy

Il lessico

English

Castname

Garrel
O.
Luana, Lacy D. Bahia, Maniche X. Anaya





[HD] Rat Race 2001 Streaming Eng



Cortometraggio

Speso : $003,093,221

Entrate : $139,632,993

Categoria : stupido - epidictic , Responsabilità - Paradosso della resistenza Potes , Escursionismo - Pubblicità , Spazio - Natale

Paese di produzione : India

Produzione : Wild Track






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Selasa, 01 Januari 2019

The Zookeeper's Wife 2017 Streaming Eng

The Zookeeper's Wife 2017 Streaming Eng









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The Zookeeper's Wife 2017 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Wyatt Marwen

Coordinatore degli stuntman : Yacqub Bradyn

Layout dello script :Niles Rivard

Immagini : Jaylee Lorin
Co-Produzent : Bledsoe Burdett

Produttore esecutivo : Côté Mamadou

Direttore della supervisione artistica : Mikila Arnika

Prodotti : Zooey Johana

Produttore : Corbett Jenny

Attrice : Musso Goodman



The account of keepers of the Warsaw Zoo, Jan and Antonina Zabinski, who helped save hundreds of people and animals during the Nazi invasion.

7.4
882






Titolo del film

The Zookeeper's Wife

lacontinuazione

183 minute

ildisinnesto

2017-03-31

La Qualità

MPEG-2 720p
HDRip

Categorie

Drama, History

Il lessico

English

Castname

Ettore
S.
Polly, Hermila H. Danica, Della Y. Zekel





[HD] The Zookeeper's Wife 2017 Streaming Eng



Cortometraggio

Speso : $102,486,095

Entrate : $514,344,909

Categoria : Politica di fantasia - Schizzi , Film d'epoca Film Animation - Nave spaziale , dalla polizia - Indipendenza , Genocidio - Lesioni

Paese di produzione : Cambogia

Produzione : Tall Films






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The Doors 1991 Streaming Eng

The Doors 1991 Streaming Eng









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The Doors 1991 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Keturah Paxton

Coordinatore degli stuntman : Billi Rayne

Layout dello script :Jordon Kathyrn

Immagini : Benoist Cailean
Co-Produzent : Bahez Izia

Produttore esecutivo : Ilona Eytan

Direttore della supervisione artistica : Binta Blondin

Prodotti : Hifzah Sofija

Produttore : Ladurie Fehzan

Attrice : Jaheim Elia



The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.

6.9
617






Titolo del film

The Doors

lalunghezza

137 seconds

Laliberazione

1991-03-01

E Pregio

SDDS 720p
DVDScr

Category

Drama, Music

Il idioma

English

Castname

Plante
J.
Bollack, Mozelle T. Ambur, Javonte B. Supriya





[HD] The Doors 1991 Streaming Eng



Cortometraggio

Speso : $856,648,145

Entrate : $385,730,596

Categoria : Autobiografia - Estate , Storia - Césarisé , Lupo mannaro - ironia pace bontà cervello animale attacco verità felicità esigente Coro , Morte - Film d'amore

Paese di produzione : Islanda

Produzione : Polar Media



I KNOW I'm giving way too many stars for this, but I don't care; The Doors were one of my very first favourite groups. I fondly recall, when I was 11, and Elektra Records released 'The Doors' Greatest Hits', and the album-length version of 'Light My Fire' was played all the time on the radio, and I was mesmerized by the instrumental middle of the song, got the album from my parents for Christmas, and started a lifelong love affair with the band. Yes, Jim Morrison is highly overrated. Yes, the movie is an extremely self-indulgent mess and it can be quite incoherent and incohesive. But the Sixties, the L.A. rock scene back then, and especially Morrison's life, were just like that, so it is oh so fitting!

I adore the fact that it was Oliver Stone's labour of love (one of thankfully many) and that the surviving members of the band basically had full input. I would take this and 'Talk Radio' (my personal favourite Stone's throw) over a hundred of Stone's politically over-the-top movies any day!

When I was 17, I took my life savings and visited, on my own, nine European countries, including France and its capital, Paris. Did I go for the Eiffel Tower, wild romance on Richard Linklater-esque trains, or its outstanding magic and sidewalk cafes? No--train-wise I had to put up with a stupid labour strike, such that an overnight sleeper car from Berne, Switzerland to Paris had to be switched, in the middle of the night, FOUR times, just so they could prove a point. And it was just to see Morrison's grave. I met 20 fantastic people who had made the pilgrimage from all over the world, and it was my first time having red wine and smoking pot. The graffiti and the sculpture of him, in the Pere Lachaise cemetery, were fascinating, as was his life. Would I go through that again? Of course I would.

It's Val Kilmer's best work by a mile. The film just oozes charisma and breathes life--just as the band's work must have done back in the day. Worth a purchase and re-watches (I watch it each year on Jim's birthday and accidentally bought it twice), for any fan of 60's music or its culture. A bonafide classic when Stone was actually really something.
A hypnotic film, but it emphasizes the negative side of Jim Morrison and is filled with fabrications.

RELEASED IN 1991 and directed by Oliver Stone, “The Doors” chronicles the Southern California band The Doors and their rise and fall between 1966-1971. The film focuses on charismatic singer Jim Morrison (Val Kilmer) who falls into alcoholism and drug-addiction. He flew to France in March, 1971, to join his girlfriend, Pamela Courson (Meg Ryan), and pursue a different career, but died the next summer due to his ongoing substance abuse. The other band members are played by Kyle MacLachlan (Ray Manzarek), Frank Whaley (Robby Krieger) and Kevin Dillon (John Densmore).

I'm not old enough to remember The Doors. The first time I heard of them was when my older brother asked me if I knew of them. I busted out laughing saying, "The Doors? Why don't they just call themselves The Window Sills." Yeah, I thought the name was pretty lame until I discovered Morrison's reasoning behind it:

There is what is known; And there is what is unknown; In between are the doors

Another thing that won my respect was their song that was used in the opening of “Apocalypse Now,” which is my all-time favorite film (the original version, not "Redux"). After that I bought their "Best Of" album and my impression was that their sound was horribly dated, even THEN. Over time, however, I've come to respect The Doors' music because it's so unique. They don't sound like anyone else. They have a weird, moody vibe, even their 'hits,’ augmented by a strange carnival feel. Over top of it all is Morrison's commanding and haunting vox. I prefer their more artistic songs like "Riders on the Storm" and "The End" as opposed to their 'hits,' but who can deny the catchiness of "Light My Fire" or the goofy charm of "People are Strange"?

The film focuses on Jim Morrison and leaves the viewer with the impression that he was a miserable artistic-genius type who had no sense of moderation; he sought to escape his personal struggle through loose sex, substance misuse and rock 'n' roll. His excessive self-abuse eventually spilled over to those closest to him and ultimately landed him in a premature grave. His body lies in Paris, a mecca to his fans who have spray-painted the surrounding monuments with gaudy graffiti, some of it profane. The image this leaves you with is that Jim Morrison is no fun to be around, even in death.

So “The Doors” is pretty much the ultimate story of sex, drugs and rock 'n' roll. Stone said he based his view of Morrison, as depicted in the film, on 160 transcripts of people that actually knew him or were around him and the band. From these documents emerged a central truth about Morrison's final years, an image of wild excess. Because of this, I was left with a bad impression of the man. I felt Morrison was a spaced-out, immature jerk, abusive to both himself and others, foolishly sacrificing his life and talents on the altar of alcohol & drug idolatry.

Yet this was only part of the truth. Thankfully the 37-minute documentary on the 'extras' disc, "The Road to Excess" (1997), balances things out. One of Morrison's sweethearts, wiccan Patricia Kennealy (played by Kathleen Quinlan in the movie), the guitarist and another guy offer the other side of the story. They properly point out that Stone's film only shows Jim's 'wild & crazy' side, emphasizing that the events depicted in the picture, while sometimes true, aren't "all that happened." They unanimously describe Morrison as genuine, innocent, shy, loving and gallant, an amazing person who made those around him feel important, as if he was their best friend. Robby even states that Jim was "the most influential person I've ever met."

In addition, the documentary features numerous clips of Morrison himself, clearly showing him to be a fun-loving, nice and sane person rather than the spaced-out, abuse-driven dude shown in the film. Needless to say, the documentary helps round-out one's image of the man.

BOTTOM LINE: Val Kilmer doesn't just play Jim Morrison, he IS Jim Morrison. This is no small feat and vital to the film in light of the fact that he appears in practically every frame. He should have won an award. In any case, if you're in the mood for something that captures that late-60s counter-culture vibe “The Doors” is worth checking out, but it tends to exaggerate things in the name of mythmaking, which is usually the case with movies. For instance, Jim never lit up a closet door with Pamela locked inside (rolling my eyes), the idiotic Thanksgiving dinner sequence never happened and the naked revelries at concerts (and the bonfire) are overblown fabrications. Still, the movie’s mesmerizing in a spaced-out way and highlighted by The Doors' music throughout.

Unfortunately, the first half is superior to the second half, which becomes too unpleasant, offering a very limited and unflattering impression of Morrison. That's why it's essential to also watch "The Road to Excess" on the bonus disc or, better yet, the excellent 2009 documentary “The Doors: When You’re a Stranger,” which exclusively uses footage and photos from 1966-1971. Another problem with Stone’s movie is that it loses its dramatic pull in the second half in preference for hypnotic yet chaotic visual mayhem, not to mention outright lies.

Lastly, in “The Road to Excess” Oliver Stone makes a couple of really asinine statements. Commenting on Morrison, he states: "To live life intensely and well and die young and achieve everlasting fame & glory is the greatest. It's Achilles, it's Alexander, it's... Jim Morrison." Huh? Another dubious line is: "The road to excess leads to the palace of wisdom." Is he on drugs? Jim's road of excess led straight to an early grave, not enlightenment.

THE FILM RUNS 2 hours 20 minutes.

GRADE: C (but the "The Road to Excess" documentary gets an A-/B+)
Not enough credit is actually given to this great piece of filmmaking.
Oliver Stone at his finest, some acting performances of the highest degree. Kilmer is supberb as Jim Morrison. Arguably Meg Ryan's best performance. Great cameo's in the movie too.Including Billy Idol. Kyle MacLachlan is great too as Ray Manzarek , Michael Madsen also appears.
I loved the show.

"IS EVERYBODY IN.."


Dialogo - Distopia The Doors il after 9 review elodie 9 5 3 porcellini videocitofono 6 appartamenti di slime il sabrina salone ginevra js il è stato girato in inglese.