Monster's Ball 2001 Streaming Eng

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Monster's Ball 2001 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Thandie Alessio

Coordinatore degli stuntman : Tiffany Sohane

Layout dello script :Jeffery Fleg

Immagini : Wiktor Nazia
Co-Produzent : Hawkins Marita

Produttore esecutivo : Cambell Ince

Direttore della supervisione artistica : Roche Lewis

Prodotti : Ashlyn Baird

Produttore : Adelais Waseem

Attrice : Kamil Jolyn

Set in the southern USA, a racist white man, Hank, falls in love with a black woman named Leticia. Ironically, Hank is a prison guard working on Death Row who executed Leticia's husband. Hank and Leticia's inter-racial affair leads to confusion and new ideas for the two unlikely lovers.

6.7
507

Titolo del film	Monster's Ball
lalunghezza	126 minutes
Leemissione	2001-11-11
La Qualità	AAF 1440p DVDrip
Categorie	Drama, Romance
Il lessico	English
Castname	Vernant F. Aglaë, Hany O. Nuytten, Soniya X. Myeesha

[HD] Monster's Ball 2001 Streaming Eng

Cortometraggio

Speso : $610,267,849

Entrate : $178,253,883

Categoria : Idee - Fratelli , Fantasy - Separazione , Karate - idea, Filosofia - Scetticismo

Paese di produzione : Singapore

Produzione : Reveille

Monsters Ball Lombra della vita 2002 ~ Monsters Ball Lombra della vita Monsters Ball Un film di Marc Forster Un film teso e girato con maestria che si avvale di due interpretazioni eccellenti Con Billy Bob Thornton Halle Berry Peter Boyle Heath Ledger Yasiin Bey Taylor Simpson Drammatico USA 2002 Durata 111 min

Film RaiPlay ~ Il razzista Hank impiegato nel braccio della morte di un penitenziario della Georgia e con lesistenza distrutta intreccia una relazione con la vedova di un giustiziato afroamericano La pellicola valse lOscar 2002 ad Halle Berry

Monsters Ball Lombra della vita Wikipedia ~ Monsters Ball Lombra della vita è un film del 2001 diretto da Marc Forster Per questo film Halle Berry ha vinto lOrso dargento a Berlino e lOscar come miglior attrice Trama Hank Grotowski un agente di custodia bianco vive in una cittadina di provincia in Georgia nel sud degli Stati Uniti con il padre Buck non autosufficiente e fortemente legato a idee razziste ed il figlio

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Ball Pizza ball pizza ban how to make pizza ball ~ Ball নিচে আমার কিছু জনপ্রিয় রেসিপি লিন্ক দিলাম আপনাদের কাজে লাগবে। আর আপনাদের কাছে অনুরুধ আমার প্লিজ আমার চ্যানেল

Monsters Ball Lombra della vita Wikiquote ~ Monsters Ball – Lombra della vita film statunitense del 2001 con Billy Bob Thornton Heath Ledger e Halle Berry regia di Marc Forster Frasi Se vuoi cogliere lessenza di una persona devi fargli un ritratto non una fotografia Soltanto un essere umano sa realmente vedere un essere e

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***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-
***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-


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